Pete Townshend (who he?) – Prologue
Well, it has been a while, hasn't it! But Pete's back to sharing his writing with us and, as he has nowhere to post comments, I thought I'd volunteer. After all, with the autobiography, we get to delve into actual history and not literary criticism as was the case with "The Boy Who Heard Music."
I hope this blog can turn into a meeting place for those of us who've studied the history of this author and spent many a day trying to untangle The Story of The Who from all the mistakes, press agency, and long-lost information. So let's begin!
Pete starts with a memory that forms a key image in the last story in Pete's book Horse's Neck (1985), "Laguna, Valentine's Day, 1982." Here as there the memory relates to his parent's abandonment of Pete to the not-so-tender care of his grandmother that follows in the next paragraph. So this is, at long last, a non-fictionalized version of the "suppressed memory" he recovered when he first began researching this autobio after his Sept. 1991 bicycle accident. An incident much like this occurs in "The Boy Who Heard Music," somewhat sexualized. Wonder if that part was created for the novella or actually occurred? Pete has long spoken of the "abuse" he suffered at the hands of his grandmother and I've wondered whether he meant straight-up physical hurting or something that involved molestation.
The first thing I think most armchair psychologists would say is, "no wonder he had problems with the older generation!" That may be a bit too pat a conclusion but what about the connection to water that runs through Pete's work, from "Water" to "Drowned" to "The Sea Refuses No River"? Most might see a connection to Tommy but there's also a strong link to Quadrophenia, both with the incipient madness and the submersion in liquid. This is really where the need for a scholarly journal on Townshendania would be of use.
And what must he, a supporter of the Iraq invasion, thought when he heard about the use of waterboarding?
We then leap to the early evening of May 1, 1969 as Pete grabs his guitar and walks to Ronnie Scott's to premiere Tommy. Pete spoke a long time ago about the meaning of his "boiler suit" attire, about feeling like a worker putting on his work clothes and heading off to his job. Also hinted at here is the "tour armour" of his infamous 1980 Rolling Stone interview as he cloaks himself in it during his walk. Preparation for going through his "Dr. Jimmy and Mr. Jim" transformation from "this rational person sitting here talking to you" to the windmilling Yippie-basher.
And who might the bombastic music journalist be? Charles Shaar Murray, Chris Welch? Hmmmm.
I hope this blog can turn into a meeting place for those of us who've studied the history of this author and spent many a day trying to untangle The Story of The Who from all the mistakes, press agency, and long-lost information. So let's begin!
Pete starts with a memory that forms a key image in the last story in Pete's book Horse's Neck (1985), "Laguna, Valentine's Day, 1982." Here as there the memory relates to his parent's abandonment of Pete to the not-so-tender care of his grandmother that follows in the next paragraph. So this is, at long last, a non-fictionalized version of the "suppressed memory" he recovered when he first began researching this autobio after his Sept. 1991 bicycle accident. An incident much like this occurs in "The Boy Who Heard Music," somewhat sexualized. Wonder if that part was created for the novella or actually occurred? Pete has long spoken of the "abuse" he suffered at the hands of his grandmother and I've wondered whether he meant straight-up physical hurting or something that involved molestation.
The first thing I think most armchair psychologists would say is, "no wonder he had problems with the older generation!" That may be a bit too pat a conclusion but what about the connection to water that runs through Pete's work, from "Water" to "Drowned" to "The Sea Refuses No River"? Most might see a connection to Tommy but there's also a strong link to Quadrophenia, both with the incipient madness and the submersion in liquid. This is really where the need for a scholarly journal on Townshendania would be of use.
And what must he, a supporter of the Iraq invasion, thought when he heard about the use of waterboarding?
We then leap to the early evening of May 1, 1969 as Pete grabs his guitar and walks to Ronnie Scott's to premiere Tommy. Pete spoke a long time ago about the meaning of his "boiler suit" attire, about feeling like a worker putting on his work clothes and heading off to his job. Also hinted at here is the "tour armour" of his infamous 1980 Rolling Stone interview as he cloaks himself in it during his walk. Preparation for going through his "Dr. Jimmy and Mr. Jim" transformation from "this rational person sitting here talking to you" to the windmilling Yippie-basher.
And who might the bombastic music journalist be? Charles Shaar Murray, Chris Welch? Hmmmm.
Labels: biography, British, music, Pete Townshend, rock, The Who
8 Comments:
Brian,
Thanks for providing a forum for us all.
Rock on,
Richie
Hi Brian. I agree -- thanks!
What was the connection between Pete's bike accident and the start of researching his autobiography? Or is there no connection? Was it just something he did while recuperating? :-)
I adore Pete's literary style. He leaves so much open to interpretation. Even when he appears to come right out and declare something, upon second reading you see something different. He's really an incredibly sensitive and astute writer.
- Lucy (I have a bit of PT blog going too... If I may: http://elle13.blogspot.com/
Come see me sometime!)
Brian,
I suspect there will be some interesting times ahead with mant preconcieved perceptions either dashed or confirmed.
Long Live Rock
The Helpless Dancer
Glad to see you're picking this up again Brian -- your comments on TBWHM were invaluable as I tried to sift through the chapters. You keep writing, and we'll keep reading!
Lucy --
Yes, Pete started researching his autobio while recuperating from his '91 bike accident (he was told he might never play guitar again). Talking to his relatives about his childhood brought up the story of what happened with his grandmother.
Brian, thanks.
Yes, I see Pete's responded to the outpouring of begging to respond to him. How sweet!
I'm SO SAD I missed all these years with Pete; wish I'd rediscovered him sooner -- but I was too busy elsewhere. Would've LOVED the chance for input on TBWHM !!!
Have a great day.
Brian,
good to hear back from you!
BD
Thanks for hosting this opportunity to comment on Pete's autobiography. Your Who historical knowledge has been an endless source of pleasure for me over the years.
Tim
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